This week we welcome multi published author Brenna Lyons.Please tell us about yourself and your books.
I was born and raised in and around Pittsburgh, PA. After I married my husband of 21 years, the Navy dragged us up and down the eastern seaboard from Florida to Massachusetts, Maine, and Virginia for 13 years. If you count all the step- and half-siblings I have, I’m the oldest of eight, only one of which is within 10 years of my age.
I have degrees in accounting and computer programming, but I haven’t worked in the field since my oldest child was born. Since then, I’ve worked in special needs teaching and chronic care, editing, and writing.
I write everything from sci fi/ fantasy/ paranormal/ horror (straight-genre fiction as well as romance and erom), the occasional contemp, historical, mystery…poetry, articles, essays. I usually write dark milieu-heavy, but I write the occasional romp. I even write children’s/YA under a different pen name. I’m pretty much and all-purpose writer.
How long have you been writing and what was the first story you had published?
I’ve been creating worlds and stories since before I can remember. As far as writing them down? I have a poem that I wrote when I was seven, and I was writing regularly, at least that early.
The first article I had published in a local newspaper (instead of the school papers I’d been writing for since fourth grade) was when I was 13. My first poetry publication in a college annual was when I was 19. The first novel I had published… That’s difficult to answer. The first I wrote and signed a contract on was the PROPHECY serial, but the first to release for sale would have been the first three books in the Kegin series.
Paranormal seems to be a main theme in your work. What drew you to making those worlds?
For as long as I can remember, I’ve enjoyed sci fi/ fantasy/ horror/ paranormal and mystery cross-genres of the same. At twelve, I discovered the old-style Harlequin romances, back when you could still call them bodice rippers. Unfortunately, I completely missed their stint with paranormal romance in the 70s, save one book. But, I liked it. In the 90s, I found two or three more paranormal romances, by names like Brenda Todd. Then…nothing…again. It was very disheartening not to be able to find what I wanted to read. So, I started writing my own. I think that’s how a lot of the authors who started writing cross-genre romance before it was popular got started, actually.
You have a lot of advice for writers on your website. What early advice did you find helpful
for your career?
“The editor isn’t dismembering your baby. She’s polishing your gem.” Suzanne James, my first editor. It’s hard to let go of the idea that no one should mess with your “vision” for your book…and no one should, actually. But when you hold to each word you wrote as gold and forget to polish them for grammar rules, for instance, you’re doing a disservice to your writing and your audience.
Another one from Suzanne… “I know [famous author removed here] does it, but that doesn’t make it solid writing. At some point, you have to decide. Do you want to write a good book or a great one?” Needless to say, I wanted to write great books, and that meant breaking bad habits that I’d formed reading famous authors who are allowed to hold to their bad habits.
What do you feel are the pros and cons of being contracted with ebook publishers?
Glad to…
Pros for authors-
e-Books are a growth market. Faster response time (on average) than NY conglomerates.
Usually allow electronic submission, which saves on paper, ink and postage.
Don't pigeon-hole authors into a couple of core genres.
Allow reprints, if there seems to still be an audience and viable life left in the project.Allow authors to write untried markets that have a crossover with what the publishers already do.
Allow authors to write outside the box, outside the accepted "genre lines" in the NY conglomerates.
Allow authors to write in markets that are not giving the return NY demands of their markets and NY has therefore discontinued...but that still have an audience.
Allow authors to forge those new markets/subgenres, that are often picked up by NY later.
Encourages representative art and blurbs, not copycats, that authors have input on.
Gives individual attention to authors and encourages mentoring in learning to market, etc.
Contracts are written in plain English and easy to understand.
I don't think I've ever encountered an indie/e that said "agented submissions only," though there are indies that are "by invitation only."
On average, the contracts hold the author to a short period of time, allowing the author to move on from a bad situation or to larger markets, without the fuss of breaking a contract or paying buy-outs, though the buy-out feature in indie/e is also a plus.
The contracts are renewable, and the book can sell in perpetuity, making more sales, every time a new book releases from the author. Your books don't lose "shelf time" at the end of 6 or 8 weeks.Choosing indie/e does not mean you're giving up print. Most established indie/e publishers now offer print for some (if not all) of their titles.
Royalties are paid more often...usually monthly, quarterly or semi-annually...the first two being more common.Authors get a larger percentage of each book sold than they would in NY.
Your books sell worldwide (save where the internet is blocked) from day one.
There's no messy negotiations to get the e-books overseas, though you may negotiate foreign language sales in indie.
In some cases, your print books also sell overseas immediately. Some printers have bases of operation or connections overseas to allow this.A few indies have started translating their titles automatically for foreign markets.
Cons for authors-At this time, it's a much smaller market than mass market enjoys. That will change.
Though some authors in indie/e make as much or more than a NY midlist author, most do not. However, keeping the book on sale indefinitely allows you to continue making money.
There is no advance at most indie/e publishers, but with monthly royalty payments, it's not really necessary, like it is in NY.
There are some people who will not consider your indie/e publishing credits valid credits, but more and more, they aren't the people who decide if you sign a contract in NY or even in indie press.
Even with the crop of reading devices, we are missing a durable, low-cost device that will read a wide variety of formats (or a universal format that everything can read)...maybe with eInk technology. It's coming, though.If your indie uses POD technology, the publisher has more hoops to jump through to get books into the brick and mortar bookstores than the NY conglomerates do.
Likewise, it may be more difficult to get a signing in a chain book store, but not impossible.
Who are your favourite authors and what 5 books would you take to a deserted island?
My favourite authors? Let’s see… Sherrilyn Kenyon, Robin Owens, Rowena Cherry, Christine Feehan, Angela Knight, Elaine Corvidae, Jane Graves, Piers Anthony, Tee Morris, Jeff Strand, Gloria Oliver…
Only five books? That’s rough. Let’s see… Angela Knight’s WARRIOR, Sherrilyn Kenyon’s/Kinley MacGregor’s SWORD OF DARKNESS, Robin Owens’ HEART THIEF, Gloria Oliver’s VASSAL OF EL, and Elaine Corvidae’s THE CROW QUEEN.
What’s coming up for you in your writing career?
More of everything. I have new worlds coming up, including the Angel-Wing Saga, Born Investigators series, and the Fire and Ice series. I have re-releases of old work, including a re-edited re-release of the PROPHECY serial, Grellan War series, and Renegade series. I have new work coming in almost all of my series worlds: Kegin, Kielan, Night Warriors, Grellan War, Xxan…even Prophecy.
Excerpt of CLOSE ENOUGH TO HUMAN (book one in the XXAN series, available from
Loose-Id)
“Lower your weapon, Johns,” one of the humans ordered.

She spied the black on black insignia of a lieutenant, the only protection he’d have on a world that obeyed the Interstellar War Pact. Failure to display rank and affiliation could see him dead.
I have no insignia. No doubt, the Xxan had planned it that way. She hadn’t questioned it, because this had been presented as a diplomatic mission and she as an honored representative of the Xxan. Now she was a combatant. They could kill her without pause. And likely will.
Miri took a step back into the tunnel she’d come out of, her trembling more severe. She’d passed a crosstunnel ten meters back. If she could reach it --
The arms suddenly encircling her were as strong as her Xxan-Dree trainer’s. Miri didn’t waste time questioning who he was or how he’d managed to sneak up on her. As he ripped the weapon from her hand, Miri moved -- down, then in a flowing movement around his body.
He was quick…and skilled. Her trainers had never put her through her paces so strenuously. Every move to escape was met with a block. Every move to incapacitate him for a moment was countered skillfully. Miri was considering doing him real harm when the end came.
It was a move she’d never encountered before, either with her Xxan-Dree trainer or her human martial trainer. One moment, she was on her way to freedom. The next, Miri was facedown on the stone, her wrists captured behind her back, locked in his larger hands. The length of his body pinned her down, spikes of pain from her injured abdomen making her gasp for breath.
“Concede,” he grumbled.
Miri pressed her forehead to the smooth stone floor, abruptly weary. “It would seem…I have no choice in the matter.”
His laughter was low and dark…but not cruel, as she usually experienced. “An accurate assessment.”
“If you’re through dancing with her,” another voice interrupted. “Perhaps you would verify her identity, Daahn?”
Miri braced herself for the sting of a blood test that never came. Her captor nuzzled at her neck, and she jerked at his hold, panic driving her to flee. He pushed her down with a wordless growl, stroking his tongue up the side column of her neck to her jaw.
Every muscle in her body tightened in fury. How dare he examine her so intimately! A hiss of warning escaped her lips.
His next move stunned her, rendering Miri a babe in his hands. His tongue stroked over her mating stripe, and her body responded fiercely. Even before she felt the press of his erection to the back of her thigh, Miri’s body had slicked to welcome him in, the pains fading into the background for once. Her glands released Zhigaaah, the female sex pheromone, making her head swim.
“You are mine, little blue,” he whispered.
She shivered in delight, needing him to finish what he’d started. Another voice buzzed at the edges of her consciousness, drowned out by the cascade of Zhigaaah.
“She’s the one,” the male over her attested.
Miri’s blood went cold at that pronouncement. Her eyes pricked in tears she couldn’t bear to shed. She swallowed down a sob, then forced words out, feigning confidence she didn’t feel and pride she had no right to display. All the while, she nursed the loss of the illusion stoically…as she’d done before.
Thank you!